The Wedding Decor

Have been missing in action for a while,it was my sisters marrige and that kept me busy through March.Now that its over,I am back to my blogging world.I thank my readers,my followers and people who commented when i was not blogging,I am here to give you more and more of the decor world...

Now that the wedding is over,today lets have alook at the wedding decor,we designed for the much desired dreamy wedding of my only sister    

The Indian wedding

Kerala Wedding 

Indian Wedding flower,Genda Phool...

Marvellous colours indeed,.dont you all agree?

We followed the tradition by using marigolds and jasmine for the flower decoration for this marriage

*A din of bells, drums, and chants; the mingled odour of incense and jasmine flowers wound around the bushy tuft of charcoal black hair of women

*The flute and violin that sang a thousand ragas

*The beautiful semblance of flowers,lamps and Nettipattom(the ornamental headgear for temple elephants during festive occassions and also the beaded umbrella (Muthukuda)used only during festive occassions)

*Headgears of the elephants are all gold plated

*The cacophony of noises,the medley of colours…

Dont you feel its the "celebrations  decor"

All images clicked By Lakshmi Arvind,Pl dont steal them or copy them.Copyright the author

Salabhanjika Sculptures and Indian Decor..

In South India, many temples have Salabhanjika, a stone sculpture in the shape of a woman holding a lamp that is set in front of the sanctum sanctorum as a sacred guard to the deity (Dwarapalika). Recently they are a indispensible part of Indian Decor.

A "Salabhanjika" sculpture refers to a styled figure of a woman standing provocatively near a branch of a tree. In sanskrit, salabanjika means "breaking the branch of a tree". The salabhanjika woman is shown with exaggerated breasts and hip, and is an extremely attractive woman.

She is usually used as a decorative element in monuments, temples and at home.

The sculpture imparts all the grace and feelings of the feminine ideal. This is an imaginary saga of the innate conflicts of the human heart. While Salabhanjika yearns for union with the sculptor and dreams for happiness however ephemeral it might be.

Also called madanakai, salabanjika or shilabalika, they epitomize the ideal female form, depicted as dancers, musicians, drummers, and rarely erotic in nature.

Highly decorated salabhanjika figures can be seen at Belur and Halebid temples too. These figures depict the female in different postures such as dancing, grooming oneself, playing a musical instrument etc.







below the salabhanjika figure is from the Sanchi Stupa, here, the figures are used as architectural brackets.

I love collecting Salabhanjikas at home.Below are some of them from my collection.The different moods of Salabhnajikas at home during holi celebrations.They looked graceful as ever carrying ,marigolds and colours ...

Salabhanjika at Fort Kochi

Salabhanjikas at Padmanabhapuram Palace and my little one having the feel of the hands of ....

The grace and divinity of the Salabhnajikas still will remain forever.

Images and Ideas conceived by Lakshmi Arvind,except1,2,3,4,5
Text$ ImageCourtesy:LakshmiArvind,greatbuildings.com,pallavikrishnan.com,mistryimages.com,asi.nic.in

Making of a Kerala Mural

Kerala mural paintings are frescos (strictly using naturally available materials), depicting mythology and legends,which are drawn on the walls of temples and churches in Kerala. They stand out for their emphasis on beauty, clarity and symmetry.

Preparation of the walls

The walls have to be first prepared before one does the murals. The walls are given a rough plastering with a mixture of lime and sand, the juice of kadukkai or the juice of a creeper called chunnambuvelli and dissolved jaggery. Then a smooth plaster is applied. The ingredients are the same as in the case of the rough plaster, except that at this stage, cotton is ground together with the other ingredients.

After 10 days, 25 to 30 coats of a mixture of quicklime and tender coconut water are applied.  Its features are the lime medium and technique in which the prepared walls are painted only after it gets completely dry.

Colours

Five basic colours are used in mural painting — white, yellow, red, green, and black. 

Preparing the colours

For yellow and red, stones such as laterite are ground and the powder is cleaned to remove impurities. The pigment residue is collected and dried. 

For green, the leaves of neela amari(Indigofera) are dried and powdered. This powder is bluish in colour. Eruvikkara is a herb whose leaves are crushed to get yellow powder. The blue neela amari powder is mixed with the yellow Eruvikkara to get green, the proportion of the two powders being varied to get different shades. 

For black colour wicks are immersed in sesame oil, and then lit. The smoke is collected on the inside of a mud pot. The soot is then carefully scraped out and used where black colour is needed.

The outline is drawn in yellow, and then again in red. The colours are then filled in. Once the painting is finished, the outline is done again in black.

Brushes

Brushes for painting on the wall are made of the blades of certain types of grass and the roots of some trees. Sharpened bamboo pieces are used to draw the outlines of the murals.

Making of Krishna and Gopis

Sketches are made and yellow is been filledNext comes red

Characters emerge layer by layer,most painstaking process

After yellow is the turn of green,characters come to the forground with green

Then comes blue
The gopis begin to take their places,charming and coequittish and full of life
Finally in life like glory

Making of Ananthasayanam,Lord Vishnu 

Making of Yellow

Yellow central character

Vishnu Emerges

Lakshmi emerges in yellow

Still it is Yellow,All characters in yellow

Supporting characters emerges

Red emerges

Central characters becomes red
Supporting characters gets their share of red

Green is the other colour which emerges
After green comes blue
The outlines are filled with black

Outlines almost done,image done almost

Lord Vishnu in all its glory,a piece of adoration

Image courtesy and Informationcourtesy:aptclasses.com

Image courtesy:keralmurals.in,Artist Naveen,Text:A.Menon