Showing posts with label Gujarat. Show all posts
Showing posts with label Gujarat. Show all posts

Tuesday, April 10, 2012

The bit of Kutch at home

The journey to the wonderful and vibrant state of Gujarat started with the idea of covering the wonderful city of Ahmedabad and surrounding places of interest and then also to the beautiful Kutch.As time was not enough for us and travelling with an eighth month old and a  6 year old left with us no choice of going to Kutch as it required much more time than we thought it would take.So leaving Kutch  later for this year we returned.

A way of Delhi Life,being in the whirl wind of exhibitions and melas and its share of fun and frolic..So what if we didnt make it to the kutch regions,it was as though I got to see their products together.It was the Annual exhibition of Kalaraksha,the NGO working in Kutch region.It was memerizing to see their products and a life time of experience for us and yeah i didnt forget to shop a little ...Read more about here.


upcycled exhibition
pamphlets and leaflets and calender are showstoppers
the video of the craft


Nina sabnani the great illustrator has written a book for children.

the calender had so much information...a good read
upcycling patch work quilts and applique quilts

the hat of a Rabari child,when she is ceremonially given a  name.An inventive artisan combined the two old head coverings converting them into fashion,a very thoughtful upcycling

Chotlo was re made using old beads and tiny cowrie shells which have not been available for decades.The artisan added pink plastic beads to give it a contemporary feel


the Stitching Stories,some illustrations from the beautiful book

beautiful illustrations









the kutch upcycled rajai at home,made us cozy this winter

those cushions,loved the beads..
did make my heart flutter

the rustic feel

the beauty deep down,...

Images and Ideas Lakshmi Arvind

Monday, January 23, 2012

Kalamkari of Gujarat/Mata ni Pachedi


India has a rich textile tradition,no doubt and the artist has developed several mediums to express his imagination on to the canvas in many ways.Religious textiles portray the Indian culture to a great extent.Gujarat also has a Kalam kari art of its own and its called Mata ni Pachedi. `Having read about Mata ni Pachedi,before the trip,I was very sure that I wanted to see an artist who does this art,visit him and learn .Our driver Johnny knew each art of gujarat in detail and he took us through some very narrow gulleys in the main town of Ahmedabad to show the artist at work.
This Religious textile Art is done in a cream coloured cloth.They are hangings painted with iconographic representation of  gods and goddesses.They usually form the backdrop behind Goddess Durga in temples .If the devotees wishes come true they offer  it to the lord.During the festival season this art work is in demand in villages .In earlier times,the whole work used to be done by hand.Now they have blocks available.the sides of the cloth is decorated using blockprints and then the inside is handmade.

I think its now getting evolved from religious purposes to objects of decoration.
the  representation of goddess Durga at the artists work place
his fathers photograph

the photographs of all gods at the artists workplace


Goddess Durga
Depicting Ramayana
another form of Goddess


Goddess Saraswathi devi

In the chariot 

Blockprints

artist at work,black colour is coal mixed in oil and kept in tins for days

glory of the Raja

my enthusiastic daughter even captured a video of his work
a glance at his two room house,the kitchen where the vessels are arranged  on shelves





Images and Ideas:Lakshmi Arvind
Pl do not steal the images.

Tuesday, January 3, 2012

The Old World Charm: the Pols of Ahmedabad


Time has bestowed beauty to the pol architecture of Gujarat, making it an ornament of world architecture. The 21st century, the century of urbanisation, aims to achieve the goal of harmonious cities by focusing on developing harmonious relations between the spatial, the social and the environmental aspects of the cities.

Having read so much about the pols, we  wanted to imbibe the essence of the old city in all its means, we stayed in a place in one of the pols, and we spent  time loving the old city. I loved the close knit environment, the colourful doors and the loving people behind them. Ahmedabad to me is just a melting pot of cultures, religion and traditions. In this, the rapidly developing new Ahmedabad has a lot to learn from the heritage of the walled town. Without proper knowledge of the pols, our knowledge of Ahmedabad is incomplete. These pols are the real identity of Ahmedabad. The word ‘Pol’ conjures up an image of an old world charm and a series of innovations in sustainable architecture dovetailed into the built form. ‘Pol’ architecture is an interesting evolution in urban living space. 

The pols of old Ahmedabad are old residential areas dating back to 1714. The word 'Pol' is derived from a Sanskrit word 'Pratoli' . The 'Pols' were known as 'Pada' in the Solanki period. It is said that when Sultan Ahmed Shah found the city, he stayed in the pol in the beginning. This pol was known as 'Mahurat Pol', which is now in Manekchowk. The construction of new pols continued and even increased during - Maratha Rule. Many pols were constructed during the years 1760 to 1818. 

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The city has many big and small pols ranging from six house pol (Ghar-ni-Pol) to pols having about 3,000 houses (a big settlement). The biggest pol of Ahmedabad is known as Mandavi-ni-pol. At present, there are about 60,000 houses in 600 pols of Ahmedabad. Reflecting the rich cultural ethos of Gujarat, pols have their geographical origins in the north of Gujarat. Known as "padas" in the north Gujarat towns like Patan, pols are a key to the understanding of what is called the settlement pattern of Gujarat. Originally, people of the same caste or social group would live together in a "khadki" and a group of "khadkis" would make a pol. During the Muslim period, the residential areas meant for the high officials of Ahmedabad were called "puras". Each pura would have many pols lived in by people who were attracted by the opportunities that the city had to offer.

They are honeycomb like community dwellings enclosed by a wall and protected by huge gates. There are about 360 pols in the old city of Ahmedabad alone. Many of these pols have colourful names, reflecting the richness of Gujarati language. These densely packed clusters of rows upon rows of houses, joined by labyrinthine streets are where thousands of years old Indian architectural traditions continue to live. These pols are an exuberant riot of beautiful wooden facades, lovely wooden brackets, lovingly carved fenestrated windows, magical balconies,otlas, carved wooden chabutaras (bird feeders) for feeding pigeons, khadkis and chowks, a main street with crooked lanes branching on either side, secret entrances, walls and gates which were barred at night, temple, playing areas, sculptured wooden doors, windows, beams, pillars and balconies. The central open space is known as the chowk and the rest of the zones are built around it.






























More about the peeling paint, open windows, closed doors, coloured facades in the next few posts..

All images Lakshmi Arvind. Text courtesy here, here, here and here.
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